Publications
ROLE -> Illustrator + Designer
A collection of editorial illustration and publishing work spanning books, magazines, and more. These projects have included everything from conceptual artwork and layout design to custom typography and hand-drawn assets.
My approach flexes to match the tone and audience of each piece, whether collaborating with publishers or contributing to editorial teams.
An Artist’s Guide to NFTs Illustrations
CONTENT MAGAZINE
ISSUE 14.3 2022
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For Content Magazine’s piece on the rise of NFTs in relation to art makers, I created a series of illustrations that reflect the strange, in-between nature of digital ownership: both fleeting and permanent. The artwork leans into a surreal, space-meets-tarot vibe, with pixel blockchains, planets, and layered symbolism.
Analog Church and Analog Christian
BOOKS BY JAY KIM
PUBLISHED BY INTERVARSITY PRESS
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I created a series of sketch-like illustrations for Jay Kim’s books Analog Church and Analog Christian, published by InterVarsity Press. These pieces supported key themes in each book, focusing on human connection, spiritual formation, and the tension between digital convenience and embodied faith. They acted as key section markers throughout the books.
The Meat and
Potatoes of Life
BOOK BY LISA MOLINARI
PUBLISHED BY ELVA RESA 2019
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For Lisa Molinari’s memoir, I illustrated the cover and designed the full interior layout. The visual style takes inspiration from 1950s design to match the book’s playful, chick-lit tone. I also created a custom typeface used for chapter headings and accents to bring in a cohesive, hand-drawn touch.
Coloring My Military Life (Book 2)
ADULT COLORING BOOK
PUBLISHED BY ELVA RESA 2016
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Created during the height of the adult coloring book wave, Coloring My Military Life Book 2 was one of my first major freelance projects. I illustrated 30 original pages designed to resonate with both kids and adults, reflecting the everyday rhythms and resilience of military family life. Since this pre-dated easily affordable and accessible drawing tablets, each piece was hand-drawn, inked on tracing paper, and digitized: a labor-intensive process that set the tone for my future in illustration work.
